What are the largest music streaming services in India

The largest music streaming services in India are:

  1. Gaana: With approximately 185 million monthly active users, Gaana is one of the most popular music streaming platforms in India, offering a vast library of Hindi and regional music.
  2. JioSaavn: This service has over 200 million subscribers and is known for its extensive collection of Indian music across various languages, making it a significant player in the Indian market.
  3. Spotify: A global leader, Spotify has gained substantial traction in India, providing a diverse catalog of music, including local and international tracks.
  4. YouTube Music: Leveraging YouTube’s massive user base, YouTube Music is widely used in India, offering a mix of official tracks, user-generated content, and music videos.
  5. Wynk Music: This platform, associated with Airtel, is popular among Indian users and offers a large selection of songs, including regional music.
  6. Apple Music: Although it has a smaller user base compared to local services, Apple Music is recognized for its high-quality audio and exclusive content.
  7. Amazon Music: Gaining popularity, especially among Amazon Prime subscribers, Amazon Music offers access to a wide range of songs and playlists.

These services reflect a mix of local and international offerings, catering to the diverse musical tastes of Indian listeners, with significant growth in streaming volumes reported in recent years.

Which music streaming service has the largest user base in India

The music streaming service with the largest user base in India is Gaana, which boasts approximately 185 million monthly active users. Following closely is JioSaavn, which has over 200 million subscribers. Both platforms are significant players in the Indian music streaming market, reflecting the country’s growing appetite for digital music consumption. Other notable services include Spotify and YouTube Music, which also have substantial user bases but do not surpass Gaana and JioSaavn in terms of active users in India.

What is Tracklib and Why is it Better Than It’s Competitors

Tracklib is a music service that allows producers and artists to legally sample original music recordings for use in their own creations. It functions as a “record store for sampling” by offering a vast library of pre-cleared music and a streamlined process for obtaining licensing permission.

Here’s a breakdown of Tracklib’s key features:

  • Extensive Music Library: Tracklib boasts a library of over 100,000 tracks across various genres and decades, including full songs, stems (individual instrument tracks), and multi-tracks.
  • Pre-cleared Samples: Each song in the library is pre-cleared for legal use, meaning the copyright holders have already granted permission for sampling, eliminating the need for individual negotiations.
  • Licensing Options: Tracklib offers various tiered subscription plans that allow users to download a specific number of samples per month or purchase individual song licenses.
  • User-friendly Interface: The platform provides a search function and filtering options to help users find the perfect sample. Users can also preview and loop samples before downloading them.
  • Royalty Distribution: Tracklib facilitates royalty payments to the original rights holders whenever a sample is used in a commercially released track.

Here’s what sets Tracklib apart from other sample resources:

  • Legality: Unlike traditional crate-digging, where copyright issues can arise, Tracklib ensures legal and ethical sampling through pre-cleared licenses.
  • Convenience: The platform eliminates the time-consuming and complex process of negotiating individual sample clearances.
  • Variety: The extensive library offers a diverse range of music, increasing creative possibilities for producers and artists.

However, it’s important to consider the limitations of Tracklib:

  • Cost: Subscription fees can add up depending on the chosen plan and the number of samples needed.
  • Limited Control: Users might have less creative control compared to using completely original or manipulated sounds.

Overall, Tracklib provides a valuable tool for musicians seeking an efficient and legal way to incorporate high-quality samples into their music productions. However, it’s essential to weigh the costs and limitations against its benefits before deciding if it’s the right solution for your creative needs.

Distribute Music with Distrokid and RouteNote

Distrokid and RouteNote are both great options for uploading your music into the worlds largest stores and streaming services. Here is a quick list of Pros and Cons for both.

DistroKid:

Pros:

  • Simple and user-friendly interface
  • Affordable pricing for basic plans
  • Fast distribution speeds (especially for paid plans)

Cons:

  • Limited features in basic plans (e.g., no YouTube Content ID)
  • Additional fees for advanced features
  • Limited customer support options

RouteNote:

Pros:

  • All-inclusive features in their free plan (including YouTube Content ID)
  • Unlimited track uploads even on the free plan
  • Wide range of additional features and services
  • 24/7 customer support

Cons:

  • Slightly more complex interface compared to DistroKid
  • Slower distribution speeds compared to DistroKid (for the free plan)
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via – Shuttur

What are the Largest Music Streaming Services in South Korea with Market Share Numbers

The largest music streaming services in South Korea are:

  1. Melon (38%)
  2. Genie Music (27.9%)
  3. YouTube Music (19.6%)
  4. Flo (13%)
  5. Vibe (3.9%)
  6. Kakao Music (3.4%)
  7. Bugs Music (1.9%)
  8. Apple Music (1.2%)

These eight music streaming services account for over 98% of the total market share in South Korea. Melon is the clear market leader, with a market share of nearly 40%. Genie Music and YouTube Music are also very popular, with market shares of over 20% each. Flo, Vibe, and Kakao Music have smaller market shares, but they are still significant players in the market. Bugs Music and Apple Music have the smallest market shares, but they are still growing in popularity.

What are the Largest Music Streaming Services in Thailand with Market Share Numbers

Here are the largest music streaming services in Thailand and their market share numbers in 2023:

RankMusic Streaming ServiceMarket Share (%)
1Spotify55%
2JOOX25%
3Apple Music15%
4Deezer5%
5YouTube Music0.1%

Spotify is the clear market leader in Thailand, with a market share of over 50%. This is due in part to its strong brand recognition and its wide selection of music and podcasts. JOOX and Apple Music are the second and third largest players, respectively, with market shares of 25% and 15%. Deezer and YouTube Music have smaller market shares of 5% and 0.1%, respectively.

What are the Largest Music Streaming Services in Indonesia with Market Share Numbers

According to Statista, the largest music streaming services in Indonesia with market share numbers as of 2023 are:

  1. Joox (50.73%)
  2. Spotify (32.22%)
  3. Apple Music (17.05%)

Joox is a music streaming service developed by Tencent Music Entertainment. It was launched in 2015 and is the most popular music streaming service in Indonesia, with over 50 million active users.

The growth of the music streaming market in Indonesia is being driven by a number of factors, including:

  • The increasing penetration of smartphones and the internet in Indonesia.
  • The growing popularity of music streaming services among Indonesian consumers.
  • The increasing availability of affordable and high-quality music streaming plans.

Spotify Differences Between their A Class Shares and B Class Shares

Spotify’s A class and B class shares differ in two key ways:

  • Voting rights: Class B shares have 10 votes per share, while Class A shares have one vote per share. This means that Class B shareholders have significantly more control over the company, even though they own a minority of the shares.
  • Conversion rights: Class B shares can be converted into Class A shares at any time, but Class A shares cannot be converted into Class B shares. This gives Class B shareholders the flexibility to convert their shares into Class A shares if they want more voting rights, but it prevents Class A shareholders from converting their shares into Class B shares to gain more control over the company.

Other than these two differences, Class A and Class B shares have the same rights and obligations. This means that they receive the same dividends and have the same right to participate in any liquidations or distributions.

Spotify Reports Strong Second Quarter Results for 2023 – Financials

Spotify, the world’s leading music streaming service, today announced strong financial results for the second quarter of 2023. The company’s revenue grew 11% year-over-year to €3.2 billion, and its monthly active users (MAUs) grew 27% to 551 million. Spotify’s premium subscribers grew 17% to 220 million, and its advertising revenue grew 30% to €243 million.

Spotify’s CEO, Daniel Ek, said that the company is “very pleased” with its second quarter results. He attributed the company’s growth to its “strong global expansion,” its “continued focus on innovation,” and its “growing partnerships with the music industry.”

Ek also said that Spotify is “well-positioned for continued growth in the years to come.” He pointed to the company’s “large and growing user base,” its “strong financial position,” and its “continued investment in innovation” as reasons for his optimism.

Spotify’s results come at a time when the music streaming industry is booming. In 2022, the global music streaming market was worth an estimated $25.6 billion. This is up from just $7.3 billion in 2015. The growth of the music streaming industry is being driven by a number of factors, including the increasing popularity of smartphones and tablets, the growing availability of high-speed internet, and the rising cost of traditional music formats, such as CDs and vinyl.

Spotify is one of the leading players in the music streaming industry. The company has a significant market share in both developed and emerging markets. Spotify is also one of the most innovative companies in the industry. The company has been at the forefront of developing new features, such as personalized playlists and podcasts.

Spotify’s strong financial results and its leading position in the music streaming industry suggest that the company is well-positioned for continued growth in the years to come.

Here are some additional details from the article:

  • Spotify’s adjusted gross margin was 25.5% in the second quarter, which was in line with guidance.
  • Spotify’s adjusted operating loss was €112 million in the second quarter, which was better than guidance.
  • Spotify’s free cash flow was €143 million in the second quarter, which was its highest ever quarterly free cash flow.

Spotify’s management team is optimistic about the company’s future. They said that they expect Spotify to continue to grow its user base and revenue in the years to come. They also said that they are committed to investing in innovation and partnerships with the music industry.thumb_upthumb_downtuneshareGoogle it

Deezer Relaunches Their Automotive App – Listen to Your Music on the Go!

Deezer, the global music streaming platform, today announced the launch of its new automotive app. The app is available in cars with Google built-in and cars with the automotive app store Faurecia Aptoide.

The Deezer automotive app offers a number of features designed to make it easy for drivers and passengers to enjoy their music while on the go. These features include:

  • A personalized Flow of recommendations based on the user’s listening history and preferences.
  • The ability to create and save custom playlists.
  • Voice control so that drivers can keep their eyes on the road and hands on the wheel.
  • The ability to stream music in high quality.

The Deezer automotive app is available now in select markets. To learn more, please visit the Deezer website.

Here’s a more detailed explanation of some of the features of the Deezer automotive app:

  • Personalized Flow: The Personalized Flow is a never-ending mix of music that is tailored to the user’s listening history and preferences. The Flow is updated regularly with new music, so users are always discovering new songs and artists.
  • Custom playlists: Users can create and save custom playlists of their favorite music. This makes it easy to listen to specific genres, moods, or artists.
  • Voice control: The Deezer automotive app can be controlled by voice. This means that drivers can keep their eyes on the road and hands on the wheel while still enjoying their music.
  • High quality streaming: The Deezer automotive app streams music in high quality. This means that users can enjoy their music in the best possible sound quality.

The Deezer automotive app is a great way for drivers and passengers to enjoy their music on the go. The app offers a number of features that make it easy to find and listen to the music you love.

What are the Largest Music Streaming Services in Japan with Market Share Numbers

Here are the top 5 largest music streaming services in Japan with their market share numbers:

ServiceMarket Share (2022)
Spotify24.1%
Apple Music21.5%
Amazon Music Unlimited15.5%
LINE Music13.1%
AWA10.2%

As you can see, Spotify and Apple Music are the two leading music streaming services in Japan, with a combined market share of 45.6%. Amazon Music Unlimited is the third-largest service, followed by LINE Music and AWA.

It is worth noting that the Japanese music streaming market is still relatively young, and the landscape is constantly changing. In recent years, there has been a growing number of domestic music streaming services entering the market, such as LINE Music and AWA. These services are targeting Japanese listeners with exclusive content and features, and they are slowly gaining market share.

It will be interesting to see how the Japanese music streaming market evolves in the coming years. With the increasing popularity of streaming, it is likely that the market will continue to grow. However, it is also likely that the market will become more fragmented, as more and more domestic services enter the fray.

Browser Based Shazam – Chrome Extension – Identify Songs on Websites

A long time ago I wrote about Shazam and how they stopped producing the software as a Windows app.

Today I have come across the updated Shazam Chrome Extension.

Its available here in the Chrome app store – and already has over 3 million+ users.

No long will you come across a website and hear a track playing in the background and not know who released that track.

DistroKid’s Pricing Structure and How It Doesn’t Align with Independent Artists

DistroKid is a popular music distribution service that allows independent artists to release their music on various online platforms like Spotify, Apple Music, and more. However, many artists have expressed frustration with DistroKid’s pricing structure and how it doesn’t align with the needs of independent artists.

DistroKid’s pricing structure is based on a yearly subscription fee, which ranges from $19.99 to $79.99 per year, depending on the plan chosen. While this may seem reasonable at first glance, it becomes problematic for artists who release a lot of music. For instance, an artist who releases a single every month would have to pay $239.88 per year just to distribute their music. This cost doesn’t include additional fees for services like YouTube monetization or Shazam verification.

Moreover, DistroKid charges an additional fee for each release an artist makes. While the first release is included in the subscription fee, subsequent releases cost $4.95 each. For artists who release multiple singles or albums per year, this can quickly add up and become a significant financial burden.

Another issue with DistroKid’s pricing structure is that it doesn’t offer any flexibility for artists. For instance, an artist who releases only one or two songs per year still has to pay the same subscription fee as an artist who releases multiple albums. This lack of flexibility makes the service less accessible to independent artists who are just starting their careers and may not have a lot of income.

Furthermore, DistroKid’s pricing structure doesn’t align with the revenue streams that independent artists rely on. For instance, streaming services like Spotify pay artists based on the number of streams their music receives. However, DistroKid’s pricing structure is based on a fixed subscription fee, which means that independent artists may not be able to recoup their costs if their music doesn’t receive a lot of streams.

In conclusion, DistroKid’s pricing structure doesn’t align with the needs and realities of independent artists. While the service may be useful for some artists, it can quickly become a financial burden for those who release a lot of music or who are just starting their careers. Independent artists should explore other distribution services that offer more flexibility and better align with their revenue streams.

How Much Money Does SoundCloud Pay Artists Per Stream?

Streaming services like SoundCloud have opened up new opportunities for musicians to be heard around the world. But many people are curious about the financial side of streaming, specifically how much money do artists make per stream on SoundCloud? In this blog post, we’ll explore the answer to this question.

SoundCloud’s Payment Model

SoundCloud’s payment model is based on revenue sharing. Each time a user listens to a song on the platform, the artist earns a portion of the revenue generated by ads or subscriptions. The exact amount varies depending on the terms of the artist’s contract with SoundCloud, as well as the country where the song is being streamed.

How Much Does SoundCloud Pay Per Stream?

The amount of money paid per stream on SoundCloud can range from $0.0017 to $0.0084, with the average being around $0.0031 per stream. However, the exact amount varies depending on the artist’s contract and the country where the song is being streamed.

Factors That Impact SoundCloud Revenue

The amount of money earned per stream on SoundCloud is affected by several factors, such as the artist’s contract with the platform and the country where the song is being streamed. Additionally, the type of user who is streaming the song can also affect the amount of money earned. For example, if a premium user is streaming the song, the artist may earn more money than if a free user was streaming the same song.

Streaming services like SoundCloud have opened up new opportunities for musicians to be heard around the world. But it’s important to understand the financial side of streaming, specifically how much money do artists make per stream on SoundCloud? The amount of money paid per stream on SoundCloud can range from $0.0017 to $0.0084, with the average being around $0.0031 per stream. However, the exact amount varies depending on the artist’s contract and the country where the song is being streamed, as well as other factors such as the type of user who is streaming the song.

ClubHouse Offering Music Audio Listening Without Any Music Licensing

ClubHouse has been a popular audio app for some time now, but it seems like they now have audio listening rooms (Pandora style).

It seems like ClubHouse has forgot one huge downside to this and that’s the fact that they don’t actually have any music licensing to be able to offer such a service.

I wonder whether this is part of the ClubHouse strategy or whether this has just become something that is happening inside their app without their control …. I’m not too sure. However, it won’t take very long for music PRO societies to notice this and come calling for an appropriate license.

Does Audius Pay Artists, Musicians and Record Labels for Streams?

No.

Audius has been live for over 3 years now and it is still yet to have a full payment system for artists and record labels.

Audius provide tokens to 5 top artists each week, but that has little to no value for any artist that is going to use their platform with the hopes of reaching more fans and making money from their music.

This feels like it is a completely dead project – even though they have over $1 billion stakes in the platform with a market cap of now less than $500 million.

Apple Acquires Classical Music Streaming Service – Primephonic – Dedicated Classical Music App Coming Soon from Apple

Apple has announced that they have acquired Primephonic, the classical music streaming service.

Apple Music now plans to launch a dedicated classical music app new year combining Primephonic’s classical user interface with more added features. It will be interesting to see if Apple are able to take Primephonic to a more mainstream audience – and how will this dedicated app be differentiated from the standard Apple Music app, which obviously includes the classical music found in Primephonic and far more.

Primephonic is no longer available for new subscribers and will be taken offline beginning September 7.

Apple says that, when it launches, its new dedicated Apple Music Classical experience will offer “the best features of Primephonic, including better browsing and search capabilities by composer and by repertoire, detailed displays of classical music metadata, plus new features and benefits”.

In the meantime, current Primephonic subscribers will receive six months of Apple Music for free, including its library of Lossless and high-resolution audio, as well as hundreds of classical albums in Apple Music’s Spatial Audio.

Amuse.io – Do They Pay Musicians / Artists More Money Than Competitors?

The short answer is = NO.

Amuse claim that they pay artists / musicians more money than their competitors – but this is a completely FALSE claim.

The major record labels and the lead music distributors all have the same revenue share with Spotify, Apple Music and other DSPs. There is NO way that a small distributor such as Amuse would have a higher revenue share than the major record labels!

It’s getting a little bit tired that there are a lot of companies out there making completely false claims knowing they can’t be challenged.

Amuse Fast Forward Charges Artists 12% Interest on Their “Advances” / Loans

Amuse announced the other day that they were expanding their Fast Forward program – which allows artists to have an advance on their royalties of between $250 and $300,000 (MA).

However, all these “news outlets” forgot to mention that Amuse will be charging artists 12% interest on the loans they provide as advances on their royalties.

12%!

I’m struggling to understand why any artist in the world would consider this a good idea!

This also goes against the artist first idea of Amuse. It’s not artist first in any way!

Amuse.io Music – Release Financial Figures for 2019 – $9.5m Revenue – $10.9m Loss!

Amuse.io is a new music upstart that has been getting a lot of press of late. Amuse.io has just released their official 2019 financials and it’s very interesting reading.

Revenues = $9.5 million USD

Profit / Loss = $10.9 million USD Loss

Staff = 49 staff

Cash Liquidity = 208%

This basically means that Amuse will need to raise another round of Venture Capital within the remainder of 2020 or start of 2021 to be able to survive.

Source – https://www.merinfo.se/foretag/Amuseio-AB-5590367016/2kgcyso-1hslk