Tag: royalties

How does RouteNote’s payment process differ for master recording royalties versus compositional royalties

RouteNote’s payment process differs in a few key ways for master recording royalties versus compositional royalties:

  1. Collection timeline:
  • Master recording royalties are typically collected and paid out more quickly, usually within 45 days after the end of the month they were earned.
  • Compositional royalties can take 6-9 months to be collected and paid out, due to RouteNote collecting from over 100 countries and societies, each with their own upload periods.
  1. Payment frequency:
  • Master recording royalties are paid out monthly, between the 15th-20th of each month, as long as the $50 minimum threshold is met.
  • Compositional royalties are paid on the same schedule, but due to the longer collection timeline, payments may be less frequent initially.
  1. Royalty types:
  • Master recording royalties come from streams and downloads of the actual recordings distributed through RouteNote.
  • Compositional royalties include performance royalties, mechanical royalties, YouTube micro-synchronization royalties, and neighboring rights.
  1. Payment combination:
  • For artists who distribute through RouteNote, compositional royalties are paid alongside master/sound recording royalties in the same payment.
  1. Revenue share:
  • For master recording royalties, RouteNote offers either an 85/15 split (free plan) or 100% to the artist (premium plan).
  • For compositional royalties collected through RouteNote Publishing, RouteNote takes a 15% cut of the publisher’s share.
  1. Reporting:
  • Master recording royalties are reported in more detail, with breakdowns by platform and country.
  • Compositional royalty reporting may be less granular due to the complexities of collecting from multiple societies worldwide.

While the basic payment process is similar, the key differences lie in the collection timeline, types of royalties, and the way RouteNote handles the revenue sharing for each royalty type.

Owning Your Music Masters: Demystifying Artist Rights and Control

In the music industry, “owning your masters” is a phrase often thrown around, but what does it truly mean? For artists, understanding the concept of master ownership is crucial, as it significantly impacts their creative freedom, financial gain, and overall control over their music.

What are Music Masters?

Simply put, music masters are the original sound recordings of a song. These recordings include the final version of a song captured in a studio, encompassing the artist’s performance, instrumentation, mixing, and mastering. They are distinct from the musical composition itself, which falls under copyright protection as an intellectual property.

Why Owning Your Masters Matters:

Owning your masters grants you, the artist, a bundle of rights associated with the recordings, including:

  • The right to reproduce: This allows you to decide how and where your music is distributed (e.g., streaming platforms, vinyl pressing).
  • The right to distribute: You control where your music is made available for purchase or download.
  • The right to create derivative works: This includes authorizing remixes, covers, or other versions of your original recordings.
  • The right to receive royalties: You earn a portion of the revenue generated when your music is used, such as through streaming, downloads, or licensing for films or commercials.

Not Owning Your Masters:

When artists sign traditional record deals, they often give up ownership of their masters in exchange for upfront funding, production support, and distribution assistance. While this arrangement can be advantageous for launching a career, it means the record label retains ownership of the masters and controls the aforementioned rights.

Benefits of Owning Your Masters:

  • Creative Control: You have the final say over how your music is presented and distributed, ensuring artistic integrity.
  • Financial Gain: You reap the majority of the royalties generated by your music, potentially leading to greater long-term financial benefits.
  • Long-term Ownership: Masters remain your property, potentially appreciating in value over time and allowing you to pass them on as part of your legacy.

Challenges of Owning Your Masters:

  • Financial Investment: Independent artists need to cover recording, manufacturing, and distribution costs themselves, which can be a significant financial hurdle.
  • Marketing and Distribution: Establishing distribution channels and promoting your music independently requires additional effort and resources.
  • Legal Expertise: Navigating contracts and copyright complexities might necessitate legal counsel, adding to the costs.

The Decision:

Ultimately, the decision of whether or not to own your masters is a personal one that depends on your individual circumstances, career goals, and risk tolerance. Weighing the benefits and challenges carefully, alongside seeking professional guidance, can help you make an informed choice that aligns with your long-term vision as an artist.tunesharemore_vert

DistroKid’s Pricing Structure and How It Doesn’t Align with Independent Artists

DistroKid is a popular music distribution service that allows independent artists to release their music on various online platforms like Spotify, Apple Music, and more. However, many artists have expressed frustration with DistroKid’s pricing structure and how it doesn’t align with the needs of independent artists.

DistroKid’s pricing structure is based on a yearly subscription fee, which ranges from $19.99 to $79.99 per year, depending on the plan chosen. While this may seem reasonable at first glance, it becomes problematic for artists who release a lot of music. For instance, an artist who releases a single every month would have to pay $239.88 per year just to distribute their music. This cost doesn’t include additional fees for services like YouTube monetization or Shazam verification.

Moreover, DistroKid charges an additional fee for each release an artist makes. While the first release is included in the subscription fee, subsequent releases cost $4.95 each. For artists who release multiple singles or albums per year, this can quickly add up and become a significant financial burden.

Another issue with DistroKid’s pricing structure is that it doesn’t offer any flexibility for artists. For instance, an artist who releases only one or two songs per year still has to pay the same subscription fee as an artist who releases multiple albums. This lack of flexibility makes the service less accessible to independent artists who are just starting their careers and may not have a lot of income.

Furthermore, DistroKid’s pricing structure doesn’t align with the revenue streams that independent artists rely on. For instance, streaming services like Spotify pay artists based on the number of streams their music receives. However, DistroKid’s pricing structure is based on a fixed subscription fee, which means that independent artists may not be able to recoup their costs if their music doesn’t receive a lot of streams.

In conclusion, DistroKid’s pricing structure doesn’t align with the needs and realities of independent artists. While the service may be useful for some artists, it can quickly become a financial burden for those who release a lot of music or who are just starting their careers. Independent artists should explore other distribution services that offer more flexibility and better align with their revenue streams.

How much can you earn from a Spotify podcast?

Podcasts are completely free on Spotify at the moment. Thus, Spotify won’t pay you any royalties no matter how many times your podcast is played or downloaded.

How Do I Make Money on Podcasts?

Advertising / Sponsors is the main way to monetize a podcast at present. You will need to create a podcast with listeners and then go out and find Sponsors.

How much does SoundCloud Pay for 100k Plays?

Soundcloud and other music streaming services dont pay per play. The payment model is based on a pro-rata model, which means it has a huge number of factors such as country, type of account, marketshare and many more.

From 100k plays on Soundcloud you can possibly expect to make around $100 at best. But that is also if all those plays are monetizable plays.